15 586 безплатни аудиофайлове за "Bwv 847 – Prelude And Fugue No. 2 In C Minor From Well Tempered Clavier I"

Secondary leading tone in Beethoven Sonata in C for piano Op. 53, first movement.

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 3rd movement (presto), performed by Paul Pitman for Musopen

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 2nd movement (allegretto)

The first movement of the Piano Sonata No. 7, Op. 10, No. 3, presto

Dominant seventh flat five chord on C - As MIDI

Suspended 2nd Chord on C.

Suspended 4th Chord on C.

Suspended fourth chord on C in first inversion.

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

Maj ninth chord on C.

Mu chord on C. Created by Hyacinth (talk) 22:54, 3 June 2009 using Sibelius 5.

Singen wir mit Fröhlichkeit, Gotteslob (1975) 135; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 736

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

*Pythagorean minor third (semiditone) on C = E♭- (Ben Johnston's notation). 32:27 = 294.13 cents. Limit: 3-limit. MIDI pitch bend: 15,62

*Lesser just minor seventh on C = B♭- (Ben Johnston's notation). 16/9 = 996.09 cents. Limit: 3-limit. MIDI pitch bend: 96,62

*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.

*Just diatonic semitone on C = D♭- (Ben Johnston's notation). Just: 16:15 = 111.73 cents. Limit: 5-limit. MIDI pitch bend: 79,67 Created in Sibelius.

*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.

*Pythagorean minor sixth on C = A♭- (Ben Johnston's notation). 128:81 = 792.18 cents. Limit: 3-limit. MIDI pitch bend: 64,61

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

An arpeggio passage from Bach's Jesu, Joy of Man's Desiring.

10. Chorale: Jesus bleibet meine Freude from BWV 147

french-suite-5-allemande-BWV_816

french-suite-5-loure-BWV_816

french-suite-5-bourree-BWV_816

french-suite-5-gavotte-BWV_816

J.S.Bach, Jesu meine Freude, BWV817, mm.12-13

french-suite-5-sarabande-BWV_816

french-suite-5-courante-BWV_816

The Stars and Stripes Forever (jazz version) performed by the Stellar Brass of the United States Air Force Academy Band. Track 18 from Full Circle (2011). Larry H. Lang, conducting.[1][2]

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, III. Finale (allegro vivacissimo) Concerto in D Major for Violin and Orchestra, Op. 35, III. Finale (allegro vivacissimo)

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, I. Allegro moderato Concerto in D Major for Violin and Orchestra, Op. 35, I. allegro moderato

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, II. Canzonetta (andante) Concerto in D Major for Violin and Orchestra, Op. 35, II. Canzonetta (andante)

Shining Ending by Soft and Furious

R R R R R Right Ok by Soft and Furious

Hardwave by Soft and Furious

Soda Mozza by Soft and Furious

Game On by Soft and Furious

Probably Not by Soft and Furious

Soft and Nothing by Soft and Furious

Spag by Soft and Furious